What We Can’t See Can’t Hurt Us

In a recent interview with Good magazine online, noted futurist Ray Kurzweil spoke of nanotechnology and it’s wildest applications. He noted that virtual reality in the near future could be given a tremendous boost through the use of nanotechnology. Instead of utilising some kind of device (ie; a bulbous headset as seen in many Hollywood science-fiction films), “nanobots” could be directly injected into the brain, fooling the neurons into believing that the recipient was indeed travelling to some exotic locale, when in reality, their physical being was still in the comfort of their own home, slothing in their favourite armchair clutching a beer.

Whilst this all sounds like something lifted straight from the mind of Philip K. Dick, the rise of nanotechnology since the 1980s has been profound. It has scared many and, reluctant to applaud this seemingly wonderous scientific advancement, have been vocal critics of the lack of oversight and non-existant research into the potential hazards of the technology. For nanotech concerns the study of materials on such a mindbogglingly small scale (in comparison, on the nanoscale, one nanometre is one billionth of a metre – or the size of a marble to that of the Earth) that the established properties of said materials begin to get fuzzy. For example, at such a scale where gravity is no longer relevant and where molecules can be manipulated into self-assembly, it would seem obtuse to not give serious consideration to all possible risks. But instead, the pursuit of the control of matter on the atomic scale and creation of nano-machines has proceded unfettered, appearing to be lead by the ironic assertion that what we can’t see can’t hurt us.

It is believed that nanotech will one day render us all immortal, our bodies cursing with miniature robots repairing the inevitable decay of species. It has been reported (although, to this author’s knowledge, not substantiated) that certain corporations are already using nanobots, in particular, European food processors. Nanobots were reportedly added to processed foods, acting to preserve food in packaging for far longer periods than what is currently achievable. However, since the naked eye cannot see these nanobots, where do they go once the package of food is opened and consumed. Can they feasibly find new material in the garbage bin and begin to reassemble into a new machine with a new modus operandi? Considering the ramifications of interaction between nanomaterials and biomaterials are unknown, it seems pertinent to examine these issues before we are faced with strange biological, ecological and environmental dilemmas.


by Max Drake
(Freelance writer and artist for GritFX.)

But Can She Cook?

Sega Toys in Japan has produced a robotic girlfriend that kisses on command. Named “EMA” (Eternal Maiden Actualisation), the 15 inch tall “toy” runs on batteries and uses infrared sensors to enter “love mode” when a human head gets close. EMA can also hand out business cards and sing and dance, yet Sega will target “her” to a market of lonely men.

“Strong, tough and battle-ready are some of the words often associated with robots, but we wanted to break that stereotype,” said Minako Sakanoue, a spokeswoman for Sega.
“She’s very lovable and though she’s not a human, she can act like a real girlfriend.” (Are you kidding me?)

EMA will go on sale in September for around US$175 and Sega hopes to sell 10,000 in the first year.

Japan, the undisputed leader in robotic technology, envisions a ten billion dollar market for artificial intelligence in a decade. Like something out of the Spielberg/Kubrick hybrid A.I., it is envisioned by some that sex with robots will be commonplace within 50 years.

I can see the advantages of robot love - you can turn her off if she begins to complain. And it’s not so hard to imagine given the battery-powered aids already in circulation. But devices such as EMA will only further detach an already technology-drunk population. Besides, if she can’t cook you a meal, what good is she?

by Max Drake


(Source: Reuters. Max Drake is a freelance designer for GritFX. Max has an interest in all things weird and will have regular posts on this blog.)

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For more robotic madness, check out the video of the humanoid at the 2006 Akiba Robot Fair http://www.youtube.com/watch?v=g1SADcP5g1o&feature=related